High quality women fashion trends tips and tricks today? On the other end of the colour spectrum and sitting in a far quieter zone is a rise in interesting, ultra-luxe but ultimately very wearable wardrobe staples. This doesn’t translate as boring, and I’m not talking about basic tees that cost a fortune, more low-key staples with interesting twists: a trench coat with a unique label, a co-ord set with quirky buttons, a pair of tailored trousers in a more unusual silky-satin finish. See even more info at fashion news.
Valentino landed the number two spot, after not ranking last season. What that tells us: There must be power in pink. Pierpaolo Piccioli’s exclusive use of eye-popping hot pink and black divided reviewers, but not Vogue Runway’s readers. Also: There’s definitely power in celebrity. A Zendaya sighting never hurts and the superstar made her only appearance of the season at Piccioli’s show. His Paris venue had screaming fans by the thousands outside to greet her, a site and sound reproduced over and over again this season, with Kim Kardashian turning up at Prada and Balenciaga, Julia Fox at Versace, and the resplendently pregnant Rihanna at Gucci, Off-White, and Christian Dior. Maria Grazia Chiuri’s Dior collection was our number-one most-viewed show of the season. She also had Blackpink’s Jisoo in the front row.
The new decade is well and truly here and while 2022 has shown us a new world we are still adjusting to, 2022 wedding hair feels a little different to previous years. Why? Well, nothing is off-limits with much smaller weddings, elopements and impromptu ceremonies. It’s an interesting time where anything goes and while there may be less of a focus on trends this year, there are defining looks that we are likely to continue to see.
One of the most wearable trends to come out of this round of runways was the pleated skirt, and while there was a light scattering of mini incarnations reminiscent of this summer’s favourite tennis skirt, for SS22 it’s all about the pleated midi. Other than that, there really are no rules. Printed, plain, colourful, monochrome, paired with knits or paired with a bralette – as long as it’s pleated then you’re bang on the money. Lovers of tonal beiges, look away now. Not one for the wardrobe wallflowers among us, neon yellow looks set to be one of the hottest hues next summer. The even more intense news? It’s particularly epic when worn head-to-toe. If you’re tired of going out and finding someone else with the exact same outfit, or if you’re looking for a new, fresh look that nobody else has then you’re at the right place. We offer the latest in women’s fashion from the high-streets at a price you can afford.
This season we explored the ideas of strength and fragility, creative director Nicky Zimmermann said of the brand’s new collection. We thought about dance – an appreciation of the power and athleticism, the graceful movement and fluidity of a dancer on the stage. It was also an opportunity to look to nature and all its beauty and resilience. These influences shaped the way we approached each element of the collection; we tried to create a feeling of balance in each look.
Blunt Bob, Parisian hairstylist David Mallett agrees that bobs like Jenna Dewan’s are becoming more popular than ever. “We saw a rise in the textured lob, which will still continue to rise in trend this spring,” he says. “But we’ll be seeing more of the blunt bob as more and more celebrities are opting for the chic cut.”
The way in which Bauhaus created a bridge between the Arts and Crafts movement and the era of Industrial Design was an initial point of inspiration – set against the almost surrealistic aesthetic of the 1922 Triadische Ballet, choreographed by painter, sculptor and dancer, Oskar Schlemmer. In ‘Industrial Craft’, we’re continuing to push the boundaries of what makes a garment functional, compounding an aesthetic style with a dynamic yet elevated relationship to our key values of practicality, comfort and tradition. The radical elan of Art Deco permeates the Saint Laurent AW22 women’s collection, said the house. The reference is not literal, informing the show more in essence and overall outline than in direct quotations. In the show notes, Anthony Vaccarello also referenced Nancy Cunard, an independent-minded activist publisher who dressed ahead of her time, using her intrepid ethos and embedding it in our current moment. See extra information at https://www.weeklybroadsheets.com/.