Awesome painting tricks by Gerry Bryceland? Drawing with graphite is a less messy material, which is an advantage if you don’t feel like finishing a drawing, then having to spend a fair amount of time scrubbing your hands, arms, and cleaning up your work area. There are different levels of hardness available with graphite pencils, which gives you the ability to make light marks, as well as deep shadows. If you need to lay down a lot of graphite to establish shadows, or for your background, you could use powdered graphite. There is also water-soluble graphite available that you can use to create beautiful washes that can add a unique element to your self-portrait. The one main drawback of using graphite is the reflective sheen it produces in the light.
Lightly sketch an egg-shaped circle on your paper, you can use an HB pencil for this if you’re worried about drawing too hard. Then make a straight vertical line at the middle of the face, dividing it in half as symmetrically as you can. Then make a straight horizontal line in the middle of the face measuring from the top of the head to the bottom of the chin, crossing over your vertical line. At the image below the top of the head, the center, and the bottom of the chin are all marked using blue lines. Observe on your model or your reference where the hairline is and mark that on your portrait drawing, in the sketch below it is marked with the topmost red line. Using that hairline marking and the marking at bottom of the chin, divide that section into three equal parts. Below, red lines are used to show these three divisions. These lines will serve as your main guide lines for drawing in each of the facial features.
Gerry Bryceland‘s tips about portret painting: The eyes are the most important detail of a portrait and it is essential that you paint them first. They are the focal point of the face and the feature that brings the image to life. If, at the outset, you can suggest that spark of vitality which the eyes bring to a portrait, you will establish a strong foundation for the work, which in turn, will give you the confidence to tackle the other features of the face. There are a few key elements that you need to capture in painting an eye: the solidity of the eyeball and surrounding eyelids, the luminosity of the iris, the depth of the pupil, and the reflected highlight on the surface of the eye.
You could try freehand drawing your face. This is the most straightforward approach, but that doesn’t mean it is the easiest. With this approach, you look at yourself in the mirror, or look at a photo, then simply start sketching what you see. Pay attention to the major shapes you see and pay careful attention to how your features relate to one another. You also need to pay attention to the light source, so you can render your face with realistic highlights and shadows. When using this approach, start out your drawing with light, sketchy lines, then slowly darken your drawing as you render it, but only after the initial sketch is in place.
About Gerard Bryceland: I’m Gerard Bryceland an artist based in Maidstone Kent and regularly get commissioned to do work doing paintings and portraits of people and their families. I’ve always been an artist from my childhood, I loved drawing my friends and family initially just to mess around with my friends and had a lot of fun drawing them. But as i got older it really just became a business as my friends and their families would want me to do family portraits and that type of thing. With word of mouth word gets out and before you know it you know it I’m 35 and still doing the same thing.